Killers Of The Flower Moon

[Savior]

In theaters October 6.

Based on David Grann’s broadly lauded best-selling book, Killers of the Flower Moon is set in 1920s Oklahoma and depicts the serial murder of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the Reign of Terror.

Directed by Martin Scorsese and Screenplay by Eric Roth and Scorsese, the film stars Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Tantoo Cardinal, Cara Jade Myers, JaNae Collins, and Jillian Dion.

Hailing from Apple Studios, Killers of the Flower Moon was produced alongside Imperative Entertainment, Sikelia Productions and Appian Way. Producers are Scorsese, Dan Friedkin, Bradley Thomas and Daniel Lupi, with DiCaprio, Rick Yorn, Adam Somner, Marianne Bower, Lisa Frechette, John Atwood, Shea Kammer and Niels Juul serving as executive producers.

[Sylvio Constabel]

Hm. Weiß nicht so recht.

[Kolle]

Find gut, daß er im Gegensatz zu anderen Regie-Greisen noch Filme mit Budget machen darf, solange er was zu erzählen hat.

[Savior]

Und trotz des Greis-seins nicht müde/alt wirkt.

[JimmyPage]

Das ist nur Onion

[Dr. Fu Manchu]

Wird hoffentlich supi.

[Munin]

RT 96%

In that regard, his “Killers of the Flower Moon” is vast and vital in its scale, purpose and emotional scope, a Western-thriller and ensemble piece that is every bit a Scorsese crime picture as one can dare to imagine.

As such, Killers of the Flower Moon is of a piece with not only The Irishman but also Scorsese’s other recent film Silence. These works have a much more melancholic energy than his baroque, frenzied prior efforts — The Wolf of Wall Street, Shutter Island, and The Departed. The 80-year-old director is undeniably in the twilight of his career — “I want to tell stories, and there’s no more time,” he told Deadline. Fittingly, Killers of the Flower Moon is paced deliberately, almost like an elegy. It’s also one of the most rewarding projects of his long career, a sign that Scorsese has no intention of fading away — even as the film landscape transforms around him yet again.

Above all, it’s a Martin Scorsese picture, brimming with reverence for a culture that survived a horrible trauma as it is filled with exhilarating flourishes, film history references, and explorations of the faultline between the sacred and profane. And yes: It’s a masterpiece.

[Savior]

[JimmyPage]

Budget 200mio

[Hexer]

[Savior]

In der Größenordnung – ist ja bspw. auch ein Jointventure von Apple und Paramount – jetzt nicht sooo verwunderlich. Ist auch viel handgemacht. Der teuerste Film, der je in Oklahoma gedreht wurde.

Und im ggs. zu den Menners in Strampelhosen sieht man jeden scheiß Dollar an jeder Ecke und Kante; keinen dieser Dollar hätte Marty woanders bekommen.

[JimmyPage]

Anscheinend hat Apple alles übernommen. Und früher wurden Filme auch nicht so teuer

[Dejin]

Ich freu' mich auf den!

[Julio Sacchi]

Ist doch n Drama?

[Dejin]

Ich bin jetzt wieder serious!